Ortank Package L

오흐탕크 Package L

At its essence, Ortank explores the confines of geometric shapes. Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style. The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content. Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort. The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach: We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family. Ortank also makes a strong statement with italics, displaying a dynamic and strongly slanted approach. Our vision harks back to ‘what italics used to be’—in other words, we felt that Ortank italic could embrace a different design, with its own quality. Instead of simply slanting the upright version, we decided to take a more independent approach—a tactic which we have employed successfully with several of our font families.

Ortank Package L | Thin Text The harsh wind knocks down May flower buds
Ortank Package L | Thin Text Italic The harsh wind knocks down May flower buds
Ortank Package L | Thin Display The harsh wind knocks down May flower buds
Ortank Package L | Thin Display Italic The harsh wind knocks down May flower buds
Ortank Package L | ExtraLight Text The harsh wind knocks down May flower buds
Ortank Package L | ExtraLight Text Italic The harsh wind knocks down May flower buds
Ortank Package L | ExtraLight Display The harsh wind knocks down May flower buds
Ortank Package L | ExtraLight Display Italic The harsh wind knocks down May flower buds
Ortank Package L | Light Text The harsh wind knocks down May flower buds
Ortank Package L | Light Text Italic The harsh wind knocks down May flower buds
Ortank Package L | Light Display The harsh wind knocks down May flower buds
Ortank Package L | Light Display Italic The harsh wind knocks down May flower buds
Ortank Package L | Regular Text The harsh wind knocks down May flower buds
Ortank Package L | Regular Text Italic The harsh wind knocks down May flower buds
Ortank Package L | Regular Display The harsh wind knocks down May flower buds
Ortank Package L | Regular Display Italic The harsh wind knocks down May flower buds
Ortank Package L | Medium Text The harsh wind knocks down May flower buds
Ortank Package L | Medium Text Italic The harsh wind knocks down May flower buds
Ortank Package L | Medium Display The harsh wind knocks down May flower buds
Ortank Package L | Medium Display Italic The harsh wind knocks down May flower buds
Ortank Package L | SemiBold Text The harsh wind knocks down May flower buds
Ortank Package L | SemiBold Text Italic The harsh wind knocks down May flower buds
Ortank Package L | SemiBold Display The harsh wind knocks down May flower buds
Ortank Package L | SemiBold Display Italic The harsh wind knocks down May flower buds
Ortank Package L | Bold Text The harsh wind knocks down May flower buds
Ortank Package L | Bold Text Italic The harsh wind knocks down May flower buds
Ortank Package L | Bold Display The harsh wind knocks down May flower buds
Ortank Package L | Bold Display Italic The harsh wind knocks down May flower buds
Ortank Package L | ExtraBold Text The harsh wind knocks down May flower buds
Ortank Package L | ExtraBold Text Italic The harsh wind knocks down May flower buds
Ortank Package L | ExtraBold Display The harsh wind knocks down May flower buds
Ortank Package L | ExtraBold Display Italic The harsh wind knocks down May flower buds
Ortank Package L | Black Text The harsh wind knocks down May flower buds
Ortank Package L | Black Text Italic The harsh wind knocks down May flower buds
Ortank Package L | Black Display The harsh wind knocks down May flower buds
Ortank Package L | Black Display Italic The harsh wind knocks down May flower buds
Ortank Package L Bold Text
Font Size
Line Height
Letter Spacing

We hope that our website gives you a glimpse of a future where type design fully embraces digital. Of course, this is just the beginning, and we are just two explorers finding our way in a new world of type, deeply passionate about creating a new type family. We believe that our website demonstrates the passion we have for our work, through typefaces, work in progress, and experimentation. Going forward, we will continue our prototyping processes, explore more languages and graphic territories, and transpose our new family of fonts into interfaces, layouts and visual universes. You can browse through the project here: lo-ol.design

Ortank Package L Regular Text
Font Size
Line Height
Letter Spacing

We conceive typefaces with two very different approaches. Our first approach is achieved by digging into history. We then mix these sources and our own sketches into new shapes. We make those live between time and cultural expressions. The second one consists of creating a product with clear end usages in mind. Whether we create fonts for motion, interactive design, or print, we explore the full potential in each of these design worlds. Our goal is to bring a broad aspect to what typography is in the 21st century. Indeed, as the digital world becomes more mobile, branding passes more and more through type design. This includes specifically the all aspect of custom typefaces and fonts. In addition to the experience of designing typefaces and to partner with clients to create brands, we have a multicultural approach focused on Hangeul, the Korean script, and the Latin one, which alphabet is used for languages such as English, French, Spanish or Polish to name a few. We hope that our website gives you a glimpse of a future where type design fully embraces digital. Of course, this is just the beginning, and we are just two explorers finding our way in a new world of type, deeply passionate about creating a new type family. We believe that our website demonstrates the passion we have for our work, through typefaces, work in progress, and experimentation. Going forward, we will continue our prototyping processes, explore more languages and graphic territories, and transpose our new family of fonts into interfaces, layouts and visual universes. You can browse through the project here: lo-ol.design

Glyphs
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ff
fi
fl
ffi
ffl
!
"#
$
%
&
'
(
)
*
+
-
.
/
0
1
2
3
4
5
6
7
8
9
:
;
<
=
>
?
@
[
]
^
_
`
ff
fi
fl
ffi
ffl
fj
flj
ffij
{
}
~
¡
¢
£
¤
¥
¦
§
©
a
«
¬
®
̄
°
±
·
o
»
¼
½
¾
¿
Info
Recommended OS
  • Windows XP 이상
  • Mac OS X 10.6 (Snow Leopard) 이상
Font Format
OTF, TTF (Macintosh/Windows, Unicode support)
Font Set
total 465 letters
Package L (Thin, ExtraLight, Regular, Medium, SemiBold, Bold, ExtraBold, Bold, Black + Italic)
Product Features
Licensing inquiries: support@lo-ol.design / wemeeteverything@gmail.com
Licenses
Print License
  • Print (each style, family), available for printing, publishing (Open Type Font, True Type Font)
Web License
  • Web (each style, family), available for web development (True Type Font, Woff, Woff2)
Print+Web License
  • Print+Web (each style, family), available for printing, publishing, web development, electronic publishing, video, and more (Open Type Font, True Type Font, Woff, Woff2)
Notice
  • *Based on 1 PC, 1 OS
  • **A separate license is required for broadcasting licenses, product design in which text is the only design element, font service through a server, device embedding, etc.
Fonts in Use